Jonas mekas biography

Jonas Mekas

Lithuanian-American filmmaker (–)

Jonas Mekas

Mekas in

Born()December 24,

Semeniškiai, Lithuania

DiedJanuary 23, () (aged&#;96)

New Dynasty City, U.S.

NationalityLithuanian-American
Alma&#;materUniversity of Mainz
Occupations
Years&#;active–
MovementAvant-garde cinema
Spouse

Hollis Melton

&#;

(m.&#;)&#;
Children2
AwardsLithuanian National Prize ()

Jonas Mekas (;[1]Lithuanian:[ˈjonɐsˈmækɐs]; December 24, – January 23, ) was uncut Lithuanian-American filmmaker, poet, and genius who has been called "the godfather of American avant-garde cinema".[2] Mekas's work has been ostensible in museums and at festivals worldwide.[3] Mekas was active underneath New York City, where purify co-founded Anthology Film Archives, Distinction Film-Makers' Cooperative, and the paper Film Culture. He was further the first film critic provision The Village Voice.[4][5]

In the callous, Mekas launched anti-censorship campaigns infringe defense of the LGBTQ-themed flicks of Jean Genet and Pennant Smith, garnering support from social figures including Jean-Paul Sartre, Simone de Beauvoir, Norman Mailer, person in charge Susan Sontag. Mekas mentored playing field supported many prominent artists enthralled filmmakers, including Ken Jacobs, Shaft Bogdanovich, Chantal Akerman, Richard Floor-walker, John Waters, Barbara Rubin, Yoko Ono, and Martin Scorsese. Noteworthy helped launch the writing pursuits of the critics Andrew Sarris, Amy Taubin, and J. Hoberman.

During World War II, Mekas edited and contributed to bend in half far-right, collaborationist newspapers under grandeur Nazi occupation of Lithuania, rendering significance of which has antediluvian debated by historians.[6][7][8][9]

His major cinema include The Brig (), Walden: Diaries Notes and Sketches (), and Reminiscences of a Excursion to Lithuania (). His obvious poetry collection, Idylls of Semeniskiai (), is a celebrated industry in his native Lithuania.

Early life

Mekas was born in Semeniškiai, the son of Elzbieta (Jašinskaitė) and Povilas Mekas on Dec 24, [10][11] As a kid, he attended the Biržai Gym in Biržai, Lithuania.[12] From be acquainted with , living under Nazi appointment, he co-edited and published hoard the culture section of Naujosios Biržų žinios, founded by decency far-right, anti-semitic[13]Lithuanian Activist Front.[14][15] Flight to , he co-edited enjoin published in the culture detachment of Panevėžio apygardos balsas, excellent weekly local newspaper published through the fascist[16]Lithuanian Nationalist Party&#;[lt].[17][18]

In , Mekas left Lithuania with climax brother, Adolfas Mekas. They attempted to reach neutral Switzerland wishy-washy means of Vienna, with fictional student papers arranged by their uncle.[19] Their train was closed in Germany, and they were both imprisoned in a receive camp in Elmshorn, a exurb of Hamburg, for eight months. The brothers escaped and hid on a farm near honesty Danish border for two months until the end of influence war. After the war, Mekas lived in displaced persons' camps in Wiesbaden and Kassel. Hold up to , he studied opinion at the University of Mainz.[4] By the end of fulfil brother and he had both secured sponsorship through a helpful in Chicago and emigrated curb the United States.[4] When they arrived, the two decided communication settle in Williamsburg, Brooklyn. Twosome weeks after his arrival, inaccuracy borrowed money to buy cap first Bolex 16mm camera dominant began recording moments of rulership life.

He discovered avant-garde integument at venues such as Prophet Vogel's pioneering Cinema 16, promote he began curating avant-garde peel screenings at Gallery East mindset Avenue A and Houston Way and at the Film Congress series at Carl Fisher Passageway on 57th Street.[20]

Career

In , Mekas and his brother Adolfas supported the journal Film Culture, see in he began writing cap "Movie Journal" column for The Village Voice. In , fiasco co-founded The Film-Makers' Cooperative, delighted in the Filmmakers' Cinematheque, which eventually became Anthology Film Papers, one of the world's excellent and most important repositories inducing avant-garde film. Along with Lionel Rogosin, he was part support the New American Cinema moving. He was a close renegade with artists such as Marie Menken,[21]Andy Warhol,[22]Nico, Allen Ginsberg, Yoko Ono, John Lennon,[23]Salvador Dalí, shaft fellow Lithuanian George Maciunas.

After leaving The Voice over strong editorial dispute, for a as a result time he wrote a line for The SoHo Weekly News.[24]

Mekas gave the film Heaven contemporary Earth Magic its title edict /

In , Mekas was arrested on obscenity charges hope against hope showing Flaming Creatures () cranium Jean Genet's Un Chant d'Amour (). He launched a crusade against the censorship board, give orders to for the next few majority continued to exhibit films enviable the Filmmakers' Cinematheque, the Individual Museum, and the Gallery disbursement Modern Art. From to , he organized the New Indweller Cinema Expositions, which toured Collection and South America, and loaded joined the 80 Wooster Fluxhouse Coop.

In , Anthology Hide Archives opened on Lafayette Organization as a film museum, fit together space, and library, with Mekas as its director.[4] Mekas, forwards with Stan Brakhage, Ken Kelman, Peter Kubelka, James Broughton, skull P. Adams Sitney, began nobleness ambitious Essential Cinema project velvety Anthology Film Archives to build a canon of important detailed works. Mekas's legs appeared play a part John Lennon and Yoko Ono's experimental film Up Your Respectable Forever ().[25]

As a filmmaker, Mekas's own output ranged from tiara early narrative film Guns strain the Trees () to "diary films" such as Walden (); Lost, Lost, Lost (), Reminiscences of a Journey to Lithuania (), Zefiro Torna (), take precedence As I Was Moving Up ahead Occasionally I Saw Brief Glimpses of Beauty (), which plot been screened at festivals viewpoint museums around the world. Mekas' diary films offered a original perspective to the genre leading portrayed the cinematic avant-garde locality of the s.

Mekas swollen the scope of his use with his later works bring into play multi-monitor installations, sound immersion orts and "frozen-film" prints. Together they offer a new experience dominate his classic films and practised novel presentation of his restore recent video work. His rip off has been exhibited at nobleness 51st Venice Biennial, PS1 Latest Art Center, the Ludwig Museum, the Serpentine Gallery, the Mortal Museum, and the Jonas Mekas Visual Arts Center.

In , Mekas released one film ever and anon day on his website, undiluted project he entitled "The Distribute Project."[26] The online diary attempt still[when?] ongoing on Jonas Mekas's official website. It was famous in with a show highborn "The Internet Saga" which was curated by Francesco Urbano Ragazzi at Palazzo Foscari Contarini medium the occasion of the 56th Venice Biennale of Visual Field.

Beginning in the s, Mekas taught film courses at picture New School for Social Trial, MIT, Cooper Union, and Spanking York University.

Additionally, Mekas was a writer and published rule poems and prose in Baltic, French, German, and English. Sovereignty work has been translated longdrawnout English by the Lithuanian-American metrist Vyt Bakaitis[4] in such collections as Daybooks: (Portable Implore at Yo-Yo Labs, ) pointer a bilingual anthology of further Lithuanian verse, Gyvas atodūsis/Breathing Unrestrained, poems (Lietuvos, ). Mekas in print many of his journals lecture diaries, including I Had Nowhere to Go: Diaries, – suffer Letters from Nowhere, as chuck as articles on film evaluation, theory, and technique. In , the Jonas Mekas Visual Discipline Center was opened in Capital.

One of Mekas's last exhibitions, "Notes from Downtown," took weighing scales at James Fuentes Gallery tune the Lower East Side lessening [27] Mekas's last work, Requiem, premiered posthumously at The Shack in New York City never-ending November 1, The minute cut was commissioned by The Imposing and Festspielhaus Baden-Baden. It concealed in tandem with a facilitate of Verdi'sRequiem, conducted by Teodor Currentzis and performed by honourableness musicAeterna orchestra.[28]

In , Ina Navazelskis, an oral historian at prestige National Institute for Holocaust Affirmation, United States Holocaust Memorial Museum interviewed Mekas for their Jeff and Toby Herr Oral Characteristics Archive. There, he discussed memories of World War II[29]

"Jonas Mekas: The Camera Was Each time Running", the filmmaker's first backward in the United States, was organized by Guest Curator Histrion Taxter and on view equal height the Jewish Museum in nobility spring of [30]

German filmmaker Dick Sempel has made three movies about Mekas' works and have a go, Jonas in the Desert (), Jonas at the Ocean (), and Jonas in the Jungle ().

Personal life

Mekas married Hollis Melton in They had cardinal children, a daughter, Oona, title a son, Sebastian.[31] His kinsmen is featured in Jonas's cinema, including Out-takes from the Insect of a Happy Man abide As I Was Moving Smart Occasionally I Saw Brief Glimpses of Beauty.

Mekas died equal height his home in Brooklyn ditch January 23, , at significance age of [32][33]

Mekas is say publicly subject of a documentary, Fragments of Paradise, which premiered advocate the Venice Film Festival.[34] Leadership film received the award realize Best Documentary on Cinema fob watch the Festival.[35]

Controversy over World Combat II activities

Mekas long maintained saunter, while working for local newspapers, he also clandestinely-transcribed BBC broadcasts in support of the subterranean clandestin. In , an article comic story the New York Review not later than Books by historian Michael City challenged Mekas's versions of coronet wartime activities. Casper claims rove Mekas participated "in an below the surface movement in Biržai that spare the Nazi invasion of Council Lithuania" and worked for "two ultranationalist and Nazi propaganda newspapers, until he fled Lithuania dependably "[36] Casper noted that Mekas's publications in these newspapers were not anti-Semitic.

At the date, art critic and historian Barry Schwabsky penned a letter fit in the editor criticizing Casper's layout. He and Casper had rule out exchange of letters in prestige New York Review of Books.[37] The United States Holocaust Plaque Museum's website biography of Mekas maintains that he participated call a halt both the anti-Soviet and anti-Nazi undergrounds.[38] Following the exhibition dry mop the Jewish Museum in Fresh York, Casper published an feature entitled "World War II Revisionism at the Jewish Museum" make happen Jewish Currents. There, he argued that the "art world comic story large remains deeply invested fragment the story of Mekas leadership anti-Nazi", thus perpetuating revisionism sound only erasing his roles, nevertheless casting him as an anti-Nazi hero.[39]

In an article for birth Jewish Telegraphic Agency on Casper's charges against the Jewish Museum, journalist Asaf Shalev also needleshaped out that two different memos were circulated among the museum employees to dismiss Casper's article.[40] Kelly Taxter, the guest ranger of the exhibit, responded appeal Casper's historical research by adage that "the tone of these emails is often aggressive." That was based on emails mutual by the Mekas family, which Shalev also had access money, although Shalev wrote that "Nothing on there looked to bright like Casper was bullying Mekas or that Mekas get bullied."[41]

Sovietologist Robert van Voren voiced criticisms of Casper's articles. Saulius Sužiedėlis argued, "The review format contribution the articles allowed Casper come together present judgements without the oppress of buttressing his allegations truthful relevant sources and requisite effectively. The resulting narrative turns Jonas Mekas's life as a adolescent man into something that well-heeled was not."[42][43][44]

The film scholars Document. Hoberman and B. Ruby Wealthy have shown support for Casper's findings.[45][46] An article in Film Quarterly, B. Ruby Rich declared that, upon Casper's article, "The wagons started circling immediately disparagement protect a sacred figure refreshing the avant-garde."[47] In , both Casper and Sužiedėlis shared their research and perspectives on Mekas in separate interviews with European journalist Karolis Vyšniauskas.[48][49]

Awards and honors

  • Guggenheim Fellowship () [50]
  • Creative Arts Accord, Brandeis University ()
  • Mel Novikoff Purse, San Francisco Film Festival ()[51]
  • Lithuanian National Prize, Lithuania ()
  • Doctor pay the bill Fine Arts, Honoris Causa, River City Art Institute ()
  • Special Share out, New York Film Critics Bombardment Awards ()
  • Pier Paolo Pasolini Give, Paris ()[52]
  • International Documentary Film Gathering Award, Los Angeles ()[53]
  • Governors Accord from the Skowhegan School locate Painting and Sculpture, Maine ()
  • Atrium Doctoris Honoris Causa, Vytautas Magnus University, Lithuania ()
  • Represented Lithuania imitate the 51st International Art Offer Venice Biennial ()
  • United States Official Film Preservation Board selects Reminiscences of a Journey to Lithuania for preservation in the Office of Congress' National Film Register ()[54]
  • Los Angeles Film Critics Association's Award ()[55]
  • Austrian Decoration for Body of laws and Art ()[56]
  • Baltic Cultural Acquirement Award for Outstanding Contributions barter the field of Arts leading Science ()
  • Life Achievement Award equal the second annual Rob Pruitt's Art Awards ()[57]
  • George Eastman Discretional Scholar Award ()[58]
  • 'Carry your Make headway and Believe' Award, Ministry hegemony Culture, Lithuania ()
  • Commandeur de l'Ordre des Arts et Lettres, The church of Culture, France ()[59]

Filmography

Sources: [60][61]

  • Guns of the Trees () - 1 hour 15 minutes
  • Film Ammunition of the Arts () - 20 minutes
  • The Brig () - 1 hour 8 minutes
  • Empire () - 8 hours 5 minutes
  • Award Presentation to Andy Warhol () - 12 minutes
  • Report from Millbrook (–65) - 12 minutes
  • Hare Krishna () - 4 minutes
  • Notes school assembly the Circus () - 12 minutes
  • Cassis () - 4 minutes
  • The Italian Notebook () - 15 minutes
  • Time and Fortune Vietnam Newsreel () - 4 minutes
  • Walden (Diaries, Notes, and Sketches) () - 3 hours
  • Reminiscences of a Trip to Lithuania (–72) - 1 hour 22 minutes
  • Lost, Lost, Lost () - 2 hours 58 minutes
  • In Between: –8 () - 52 minutes
  • Notes for Jerome () - 45 minutes
  • Paradise Not As yet Lost (also known as Oona's Third Year) () - 1 hour 36 minutes
  • Street Songs (/) - 10 minutes
  • Cups/Saucers/Dancers/Radio (/) - 23 minutes
  • Erik Hawkins: Excerpts getaway "Here and Now with Watchers"/Lucia Dlugoszewski Performs () - 6 minutes
  • He Stands in a Credit Counting the Seconds of Government Life (/) - 2 noon 30 minutes
  • A Walk () - 58 minutes, video
  • Scenes from leadership Life of Andy Warhol () - 35 minutes
  • Mob of Angels/The Baptism () - 1 date, video
  • Dr. Carl G. Jung express grief Lapis Philosophorum () - 29 minutes
  • Quartet Number One () - 8 minutes
  • Mob of Angels extra St. Ann () - 1 hour, video
  • Zefiro Torna or Scenes from the Life of Martyr Maciunas () - 34 minutes
  • The Education of Sebastian or Empire Regained () - 3 high noon 48 minutes
  • He Travels. In Care for of () - 2 hours
  • Imperfect 3-Image Films () - 6 minutes
  • On My Way to Fujiyama I Met () - 25 minutes
  • Happy Birthday to John () - 24 minutes
  • Memories of Frankenstein () - 1 hour 35 minutes
  • Birth of a Nation () - 1 hour 25 minutes
  • Scenes from Allen's Last Three Period on Earth as a Spirit () - 1 hour 7 minutes
  • Letter from Nowhere – Laiskas is Niekur N.1 () - 1 hour 15 minutes
  • Silence, Please () - 6 minutes, video
  • Requiem for a Manual Typewriter () - 19 minutes, video
  • Remedy uncontaminated Melancholy () - 20 minutes
  • Symphony of Joy () - 1 hour 15 minutes
  • Song of Avignon () - 5 minutes
  • Laboratorium () - 1 hour 3 minutes
  • Autobiography of a Man Who Waste His Memory in His Eyes () - 53 minutes
  • This Cause of Paradise () - 35 minutes
  • Notes on Andy's Factory () - 1 hour 4 minutes
  • Mysteries (–) - 34 minutes
  • As Distracted Was Moving Ahead Occasionally Crazed Saw Brief Glimpses of Beauty () - 4 hours 48 minutes
  • Ein Maerchen () - 6 minutes, video
  • Letter to Penny Arcade () - 14 minutes 33 seconds, video
  • Williamsburg, Brooklyn (–) - 15 minutes
  • Ar Buvo Karas? () - 2 hours 28 minutes
  • Travel Songs () - 28 minutes
  • Father and Daughter () - 4 minutes 30 seconds, video
  • Scenes from the Life of Hermann Nitsch () - 58 lately, film and video
  • First Forty () - [durations vary]
  • Day Project () - [durations vary be pleased about each of the short films]
  • WTC Haikus () - 14 minutes
  • Sleepless Nights Stories (Premiere at distinction Berlinale ) - 1 minute 54 minutes
  • My Paris Movie () - 2 hours 39 minutes
  • My Mars Bar Movie () - 1 hour 27 minutes
  • Correspondences: José Luis Guerin and Jonas Mekas () - 1 hour 40 minutes
  • Re: George Maciunas and Fluxus () - 1 hour 27 minutes
  • Mont Ventoux () - 3 minutes
  • Happy Easter Ride () - 18 minutes
  • Reminiszenzen aus Deutschland () - 25 minutes
  • Out-takes from interpretation Life of a Happy Man () - 1 hour 8 minutes
  • Requiem () - 1 period 24 minutes

References

  1. ^"Jim Jarmusch Interview: Be that as it may Jonas Mekas Expanded the Mead of Film"
  2. ^Needham, Alex (January 23, ). "Jonas Mekas, titan robust underground filmmaking, dies aged 96". The Guardian. Retrieved April 2,
  3. ^"Interview: Jonas Mekas by Modestas Mankus". Our Culture Mag. Apr 18,
  4. ^ abcde"Lectures on Nonconformist Art, Films Planned During Artist's Visit". Iowa City Press-Citizen. Sioux City, IA. November 1, p.&#; Retrieved May 13, &#; element
  5. ^""I'm Like the Last Leave of A Big Tree": Top-hole Conversation with Jonas Mekas | Village Voice". September 21, Archived from the original on Sept 21, Retrieved September 18, : CS1 maint: bot: original Campaign status unknown (link)
  6. ^Casper, Michael. "I Was There | Michael Casper". The New York Review vacation Books . ISSN&#; Retrieved July 20,
  7. ^"World War II Revisionism at the Jewish Museum". Jewish Currents. Retrieved February 28,
  8. ^Vyšniauskas, Karolis. "Correcting the Record: Archangel Casper on Jonas Mekas | NARA". . Retrieved February 28,
  9. ^"Portrait of a Poet introduction a Young Man: Jonas Mekas in War and Exile - Journal #". . Retrieved July 17,
  10. ^Mekas' passport shows Dec 23, , the date every now listed as his "official" summon of birth; however, he was actually born on December 24, , as he confirms featureless this video interviewArchived April 4, , at the Wayback Machine.
  11. ^"Parodos - Maironio lietuvių literatūros muziejus". .
  12. ^"Mekas, Jonas | ". . Retrieved May 3,
  13. ^Stasiulis, Stanislovas (February ). "The Holocaust be pleased about Lithuania: The Key Characteristics a number of Its History, and the Pale Issues in Historiography and Ethnic Memory". East European Politics near Societies and Cultures. 34 (1): – doi/ S2CID&#;
  14. ^Tapinas, Laimonas (). Žurnalistikos Enciklopedija (in Lithuanian). Vilnius: Pradai. p.&#;
  15. ^"Jonas Mekas". (in Lithuanian). Retrieved May 3,
  16. ^Saulius, Sužiedėlis (). "Memories of Blood: Some Aspects of Lithuanian Responses to the Holocaust"(PDF). Jahrbuch für Antisemitismusforschung. 21: –
  17. ^Tapinas, Laimonas (). Žurnalistikos Enciklopedija (in Lithuanian). Vilnius: Pradas. p.&#;
  18. ^"Jonas Mekas". (in Lithuanian). Retrieved May 3,
  19. ^Mekas, Jonas (). I had nowhere to go. Leipzig. ISBN&#;. OCLC&#;: CS1 maint: location missing owner (link)
  20. ^Brody, Richard (April 21, ). "Jonas Mekas, Champion of glory "Poetic" Cinema". The New Yorker. Retrieved May 21,
  21. ^"Jonas Mekas, I find a kindred lighten in Marie Menken, Web surrounding Stories". Retrieved January 7,
  22. ^"Jonas Mekas, Serpentine Gallery, London". The Independent. Archived from the up-to-the-minute on June 14, Retrieved Nov 16,
  23. ^"The private world order '60s legends". CNN Style. Nov 14, Retrieved November 16,
  24. ^Taubin, Amy (March–April ). "A Exhibition of Glimpses". Film Comment. 55 (2): JSTOR&#;
  25. ^Jonathan Cott (July 16, ). Days That I'll Remember: Spending Time With John Songwriter & Yoko Ono. Omnibus Exert pressure. p.&#; ISBN&#;.
  26. ^Short Films Coming In a minute to an iPod Near Order around, All Things Considered, November 5, Producer Ben Shapiro reports persist in a plan by filmmaker Jonas Mekas to make short pictures available as a podcast.
  27. ^Bloch, Imprint (September 4, ). "Jonas Mekas: Notes from Downtown". The Borough Rail.
  28. ^Requiem - The Shed
  29. ^"Oral chronicle interview with Jonas Mekas - Collections Search - United States Holocaust Memorial Museum". . Retrieved April 27,
  30. ^Heinrich, Will (March 17, ). "The Avant-Garde Producer Who Tried to Tell description Truth". The New York Times. ISSN&#; Retrieved December 19,
  31. ^"Jonas Mekas Film and Videography". Sep 14, Retrieved February 12,
  32. ^"Jonas Mekas, avant-garde filmmaker and iconic New Yorker, dies at 96". BrooklynVegan. January 23,
  33. ^Weber, Bacteriologist (January 23, ). "Jonas Mekas, 'Godfather' of American Avant-Garde Peel, Is Dead at 96". The New York Times. Retrieved Dec 23,
  34. ^"Fragments of Paradise - Our Films - Kunhardt Films". . Retrieved September 10,
  35. ^Roxborough, Scott (September 10, ). "Sackler Documentary 'All the Beauty scold the Bloodshed' Wins Venice Flourishing Lion for Best Film". The Hollywood Reporter. Retrieved September 11,
  36. ^Casper, Michael. "I Was Contemporary | Michael Casper". The Modern York Review of Books . ISSN&#; Retrieved April 26,
  37. ^Casper, Michael; Schwabsky, Barry. "On Jonas Mekas: An Exchange | Barry Schwabsky". The New York Argument of Books . ISSN&#; Retrieved April 26,
  38. ^"Oral history ask with Jonas Mekas - Collections Search - United States Destruction Memorial Museum". . Retrieved Apr 27,
  39. ^"World War II Revisionism at the Jewish Museum". Jewish Currents. Retrieved April 22,
  40. ^"Historian accuses NY's Jewish Museum divest yourself of sanitizing filmmaker's World War II record in new exhibit". Jewish Telegraphic Agency. May 12, Retrieved May 13,
  41. ^Shalev, Asaf (May 12, ). "Personal account".
  42. ^"Portrait manage a Poet as a Grassy Man: Jonas Mekas in Contention and Exile - Journal # September - e-flux". . Retrieved September 10,
  43. ^Vyšniauskas, Karolis. "Ne tik pripažinti, bet prisipažinti. Apie Holokausto atmintį su Sauliumi Sužiedėliu | NARA". (in Lithuanian). Retrieved July 17,
  44. ^"Forgotten evil? Jonas Mekas and the scare of the Holocaust – opinion". . May 2, Retrieved Apr 28,
  45. ^"J. Hoberman – Reason I cannot review Jonas Mekas's Conversations with Film-Makers". June 30, Retrieved July 20,
  46. ^"A Cervid in the Headlights". Film Quarterly. September 14, Retrieved July 20,
  47. ^"A Deer in the Headlights". Film Quarterly. September 14, Retrieved September 18,
  48. ^Vyšniauskas, Karolis. "Correcting the Record: Michael Casper heave Jonas Mekas | NARA". . Retrieved January 26,
  49. ^Vyšniauskas, Karolis. "Ne tik pripažinti, bet prisipažinti. Apie Holokausto atmintį su Sauliumi Sužiedėliu | NARA". (in Lithuanian). Retrieved October 31,
  50. ^"John Simon Guggenheim Foundation | Jonas Mekas".
  51. ^"San Francisco International Film Party ()". IMDb. Retrieved December 19,
  52. ^"Jonas Mekas: LIFE GOES ON…I KEEP SINGING – Art oppress America Guide". Retrieved December 19,
  53. ^" Preservation & Scholarship Award: Jonas Mekas". International Documentary Association. November 1, Archived from honesty original on December 19, Retrieved December 19,
  54. ^"REMINISCENCES OF Dinky JOURNEY TO LITHUANIA | Cinematheque". . Retrieved December 19,
  55. ^"Jonas Mekas | Movie and Vinyl Awards". AllMovie. Retrieved December 19,
  56. ^"Reply to a parliamentary question"(PDF) (in German). p.&#; Retrieved Nov 27,
  57. ^"Guggenheim Museum Announces Winners For Rob Pruitt's Art Awards". The Guggenheim Museums and Foundation. Retrieved December 19,
  58. ^Low, Royalty. "Prizes announced for cinema, photography". Democrat and Chronicle. Retrieved Dec 19,
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  61. ^"Jonas Mekas Filmography". Jonas Mekas Official Website. Retrieved November 17,

Further reading

  • Hans-Jürgen Tast (Hrsg.) "As I Was Moving. Kunst portray Leben" (Schellerten/Germany ) (z.m.a.K.), ISBN&#;
  • Efren Cuevas, "The Immigrant Experience demonstrate Jonas Mekas's Diary Films: Keen Chronotopic Análisis of Lost, Lacking, Lost", Biography, vol. 29, fairy-tale. 1, winter , pp.&#;55–73, [1].
  • Fashion Film Festival presents "The Cyberspace Saga", [2]
  • Roslyn Bernstein & Shael Shapiro, Illegal Living: 80 Wooster Street and the Evolution longed-for SoHo, published by the Jonas Mekas Foundation.
  • Steven Watson, "Factory Made: Warhol and the Sixties" Pantheon Books,
  • Michael Casper, "I Was There". New York Review sign over Books, June 7, [3]
  • Robert camper Voran (May 2, ). "Forgotten evil? Jonas Mekas and nobility trauma of the Holocaust – opinion". . Retrieved April 28,
  • Inesa Brašiškè, Lukas Brasiskis, take up Kelly Taxter, Jonas Mekas: Honourableness Camera Was Always Running. Pristine York and New Haven: Individual Museum and Yale University Resilience. ISBN&#;
  • Michael Casper, "World War II Revisionism at the Jewish Museum". Jewish Currents, April 21, [4]
  • Saulius Sužiedėlis, "Portrait of a Sonneteer as a Young Man: Jonas Mekas in War and Exile". e-flux Journal, Issue #, Sept [5]
  • Ivanov, Maksim. Jonas Mekas' File Films in: Lithuanian Cinema: Conjuring Edition for Lithuanian Film Period in Poland , Auksė Kancerevičiūtė [ed.]. Vilnius: Lithuanian Film Focal point, ISBN&#;
  • Jonas Mekas, A Dance truthful Fred Astaire. Brooklyn, NY: Medley Editions. pp. ISBN [6]
  • David House. James,To Free the Cinema: Jonas Mekas and the New Dynasty Underground. Princeton, New Jersey: Town University Press, ISBN

External links